Hey, so this week I actually found some time to dig in on painting backgrounds! I went a bit further with background 26 and then laid down some basic colour on 27 and 29. It's exciting to make progress!
Next I'll take 27 and 29 into Corel painter for a base texture layer. I love Corel's brushes. I think I'm going to bring each of these to completion in stages at the same time. That should help me stay consistent with style, colour and brushes.
I've been painting a lot in my spare time recently, (not that I have a lot of spare time). Today I actually stayed at the office until 8:30 pm to help ensure I hit my Friday deadline. A few other artists stuck around too and it was cool. When there are a handful of people who stay beyond dinner and the sunset at the office to crunch on a deadline, I feel this kind of glamour... I love the idea of working hard to make a deadline on a project that you care about with other people. It gets sad to stay behind at the office and be the only one there in the cold and in the dark. Anyway. I feel so desperate to finish up these background paintings! I've been painting here and there in scraps of spare time since... April 2011 ish! So just over 2 years. Even though I say to myself that I have 5 paintings left to finish up, there are actually even more. The title card, a bunch of food prop paintings and then the credits. I'll work on the 5 scene shots first.

In honor of feeling like I'm stuck painting forever, here are two rejected concepts. One is a background I sketched up and colour concepted but then deleted entirely from the film, the other is a colour concept for the kitchen that I decided not to use.

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AuthorAndrea K Haid
It's been another busy week! This past weekend involved a lot of chores and file cleaning. I did find some time to get some painting done on background 26 of the cellar sequence:
This image is super work in progress. I'm going to move the pickle jar. Currently the state this background is in is like the above, but with zoodles of perspective lines all over the place as I get the new jar figured out. I think the visual flow is going to work better with the new version. As I make progress with this one I've been saving it as new versions so that I can whip up a gif of the process.
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AuthorAndrea K Haid
What the hell is going onnnnnn?!? I've been working on this scene forever and what the fuck. It's super hard to find the time to work on it so it's coming along so damn slowly. And I just shot a quick pencil test and it's hard to tell if it's crap or if it's ok. o_0 I'm just sayin'.
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AuthorAndrea K Haid
Aw shit, it's 5am. I stayed up way too late watching Breaking Bad. That show is amazing! Here is an updated pencil test. Next step, I'll clean up the keys, finish the breakdowns and then bust out the inbetweens. So glad to FINALLY have the keys how I want them. I was being perfectionist. Also, when you have shows on in the background you work much slower. I need to keep the netflix away.
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AuthorAndrea K Haid
I'm still struggling, as usual, to balance all the aspects in my life. But since my last post I feel pretty good about the amount of work I've done on Pickled! This past weekend I did work, for my job. But the previous two weekends were all about Pickled. Part of the reason I was doing work over the weekend was because I had a massive headache on Friday and had to take the day off. And on President's Day weekend I was really sick. So with all the down time, I needed to do some catch up.

But anyway, I've put down at least basic rough paint for all the backgrounds now (well except the montage ones), I prettied up the leica/animatic enough to show to a couple friends at work and I punched a stack of animation paper.
Next time I make a film... I will definitely use a different approach. I'm dying to put together a piece FAST! (Well, not necessarily the story elements), but to just crank out some emotional stuff that's relevant to me or fun or experimental... Maybe just do pencil tests and no clean up... Something less all consuming.
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AuthorAndrea K Haid